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	<title>Sean Banville&#039;s Blog &#187; Audacity</title>
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	<link>http://seanbanville.com</link>
	<description>stuff from the head of Sean Banville</description>
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		<title>Jigsaw Listening</title>
		<link>http://seanbanville.com/2010/04/19/jigsaw-listening/</link>
		<comments>http://seanbanville.com/2010/04/19/jigsaw-listening/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 13:04:51 +0000</pubDate>
		<dc:creator>Sean</dc:creator>
				<category><![CDATA[Audio Files]]></category>
		<category><![CDATA[Audacity]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[jigsaw listening]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[mp3]]></category>

		<guid isPermaLink="false">http://seanbanville.com/?p=200</guid>
		<description><![CDATA[21 Reasons for Making Your Own Audio Files for Jigsaw Listening
My school’s resource room is brimming to the rafters with listening materials. There are CDs that go with coursebooks, audio accompaniments to graded readers, listening courses and a whole lot more. Add to this the millions of files online on websites and via podcasts and [...]]]></description>
			<content:encoded><![CDATA[<div class='embaArticle' style='display:inline'><p><strong>21 Reasons for Making Your Own Audio Files for Jigsaw Listening</strong></p>
<p>My school’s resource room is brimming to the rafters with listening materials. There are CDs that go with coursebooks, audio accompaniments to graded readers, listening courses and a whole lot more. Add to this the millions of files online on websites and via podcasts and you have several billion hours of listening material.</p>
<p>But is that good enough?</p>
<p>Is it exactly what your students need in that lesson?</p>
<p>I’ve usually found the answer to these questions to be ‘no’. Sure, it’s practice, but it all seems too “textbooky / EFL classroom-ish”. None of the CDs, tapes (remember those?) or MP3s and WAVs was exactly what I wanted for my class.</p>
<p>So a long time ago, in 2005, I started making my own listening materials, using the free audio editor and recorder <a href="http://audacity.sourceforge.net/" target="_blank">Audacity</a>, which is my favourite piece of software ever in the whole wide world, ever.</p>
<p style="text-align: center;"><a href="http://audacity.sourceforge.net/"><br />
</a><a href="http://audacity.sourceforge.net/download/" target="_blank"><img class="aligncenter size-full wp-image-205" title="audacity_logo" src="http://seanbanville.com/wp-content/uploads/2010/04/audacity_logo.jpg" alt="" width="141" height="51" /></a></p>
<p>This post isn’t a how-to on Audacity, so I’ll direct you to Russell Stannard’s excellent <a href="http://www.teachertrainingvideos.com/audacity1/index.html" target="_blank">teacher-training video</a> for that.</p>
<p>Here I’ll describe a few things that work for me when making jigsaw listenings tailored to my students’ needs of the moment.</p>
<p style="text-align: center;"><a href="http://seanbanville.com/wp-content/uploads/2010/04/jigsaw.png"><img class="aligncenter size-thumbnail wp-image-201" title="jigsaw" src="http://seanbanville.com/wp-content/uploads/2010/04/jigsaw-150x150.png" alt="" width="150" height="150" /></a> <em>http://upload.wikimedia.org/wikipedia/commons/thumb/7/75/Jigsaw.svg/600px-Jigsaw.svg.png</em></p>
<p><strong>Jigsaw Listening</strong></p>
<p>OK. When was the last time you saw a jigsaw listening CD? Never. Thought so. I think jigsaw listening is one of the most valuable communicative activities around. It’s an audio information gap activity. Different groups of students listen to different parts of a text, then exchange information with each other to complete a task – piece the info together, find out who or what is being talked about, etc. It is great as the centerpiece of an integrated all-skills lesson.</p>
<p><strong>The fantastic things about recording jigsaw listenings yourself are:</strong></p>
<ol>
<li>you control the level and content of the      audio text.</li>
<li>you can build the rest of the lesson      around the jigsawed listenings.</li>
<li>you can use them to recycle vocabulary,      grammar and other language taught earlier.</li>
<li>you can make games out of them.</li>
<li>you can make the listenings from      student-generated work.</li>
<li>you can use them to introduce factual      content (giving each group different sets of facts).</li>
<li>students love the fact they have to listen      and then share and find out.</li>
<li>the element of having to pass on      information heard seems to make students “listen harder”.</li>
<li>today’s technology means iPhones, laptops      and classroom PCs do away with the need to drag 12 tape recorders/CD      players to class.</li>
<li>you can use the jigsaw listening for      anything – introduce an important piece of school news by cutting it into      different recorded pieces.</li>
<li>get students to put events in a      chronological order.</li>
<li>you can beef up a lackluster textbook      reading be recording it as a jigsaw reading.</li>
<li>you can add intrigue to graded readers by      creating jigsawed summaries.</li>
<li>focus on different tenses by giving groups      parts of the story set in the past, present and future.</li>
<li>use it as a critical thinking activity –      give students different parts of a set of instructions  / cooking recipe / directions, etc      for them to piece back together logically.</li>
<li>liven up mystery stories.</li>
<li>explain grammar by giving students      different parts of the puzzle.</li>
<li>explain word families by giving students      different information about a word (collocations, parts of speech,      antonyms &amp; synonyms, use in phrasal verbs, etc).</li>
<li>it can save you time (especially if you      re-use the audio). They can take as little as ten minutes (the time it      normally takes to do three one-minute recordings plus editing, saving,      etc. The students then spend ages (all quality time) on the listening and      piecing back together of the text.</li>
<li>it’s free.</li>
<li>you never have to visit that dusty      resource room again.</li>
</ol>
<p>If you have other suggestions for jigsaw listening, please share them in the comments below.</p>
<p>Thank you.</p>
</div>]]></content:encoded>
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		<title>Using Audio Files To Provide Feedback &#8211; 2</title>
		<link>http://seanbanville.com/2010/01/11/using-audio-files-to-provide-feedback-2/</link>
		<comments>http://seanbanville.com/2010/01/11/using-audio-files-to-provide-feedback-2/#comments</comments>
		<pubDate>Mon, 11 Jan 2010 10:14:12 +0000</pubDate>
		<dc:creator>Sean</dc:creator>
				<category><![CDATA[Audio Files]]></category>
		<category><![CDATA[Audacity]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[mp3]]></category>

		<guid isPermaLink="false">http://seanbanville.com/?p=68</guid>
		<description><![CDATA[Progress reports
I have found that providing students with progress reports via audio files is a very motivating alternative to providing written feedback on their progress. Generally, I do both. I am required to enter written feedback in the online records kept for my students. However, there are several things that don’t overly excite me about [...]]]></description>
			<content:encoded><![CDATA[<div class='embaArticle' style='display:inline'><p><strong>Progress reports</strong></p>
<p>I have found that providing students with progress reports via audio files is a very motivating alternative to providing written feedback on their progress. Generally, I do both. I am required to enter written feedback in the online records kept for my students. However, there are several things that don’t overly excite me about this:</p>
<ol>
<li>I sometimes      find them to be overly formal and (on occasion) stilted.</li>
<li>They occur too      infrequently – usually mid- and end-of-semester &#8211; to provide students with      useful information.</li>
<li>They can (on      occasion) fall prey to ticking-the-boxes syndrome and thus can (on occasion) not be so overly heartfelt.</li>
</ol>
<p>Now…</p>
<p>This is why I like giving audio files to students as progress reports.</p>
<p>Reasons for this are:</p>
<ol>
<li>It gets      students to practice authentic and relevant listening. They have a real      reason to listen and are usually extremely motivated to do so.</li>
<li>It is more      relaxed than the formal, college-required progress reports.</li>
<li>You can      make the feedback fun and irreverent.</li>
<li>You can (on      occasion) say things that you could never put online.</li>
<li>You can      really personalize it.</li>
<li>Their      parents don’t know about the audio files (Shhh!!) whereas parents usually      see the more formal written progress reports.</li>
<li>You can say      a WHOLE LOT MORE in an audio file than you could ever write in a formal written report (unless you      wanted to dedicate your winter break to progress-report writing).</li>
<li>You can do      it very often. It’s not overly difficult to do every two weeks. Would love      to do it every week, but…</li>
<li>It’s quick –      You can do progress reports for a class of 20 in 30 minutes.</li>
<li>Students      really appreciate the personalization and extra effort.</li>
<li>The effect      of the feedback can be extremely immediate– you can almost guess from a      student’s face which part of their feedback they are listening to.</li>
<li>Providing      lots of enthusiastic praise in the audio files works wonders.</li>
<li>I have      found students like to listen to each other’s feedback more than they      would read it.</li>
<li>You can      easily tailor it to those who need it more.</li>
<li>It really      gets you thinking more about your students, what they need and how they      are doing.</li>
<li>You can      provide the class with a global feedback file on how they’re doing      collectively in addition to individual files.</li>
<li>Giving      students audio files can encourage students to respond – either via their      own mp3 or in writing.</li>
<li>It makes me      appear more human to them (I think – could be wrong).</li>
<li>Given      regularly, it really comes part of a system of monitoring progress.</li>
<li>It’s fun –      Students like it.</li>
<li>They can reciprocate and give you mp3 feedback.</li>
</ol>
<p>In the upcoming semester, I’d like to try and provide this kind of progress reporting using VoiceThread. I’m sure students will respond so much more to the threaded audio format than the clunkier option of mailing the audio file or leaving it on shared drives. It would be nice to have more of a conversation with the students using media they are so comfortable and familiar with using.</p>
<p>Will keep you posted.</p>
<p>PS I use the free audio editor/recorder from <a href="http://audacity.sourceforge.net/download/" target="_blank">Audacity</a>. It&#8217;s pretty much like MS Word except for sound and not letters (you record, copy, paste and save!).</p>
<p>The Audacity manual is <a href="http://audacity.sourceforge.net/manual-1.2/howto_manual.html" target="_blank">here</a>.</p>
<p>Here are some YouTube tutorials on how to <a href="http://www.youtube.com/watch?v=7ZjaTebJVPA" target="_blank">record</a> and how to <a href="http://www.youtube.com/watch?v=dbqJVC6kQ50" target="_blank">edit</a>.</p>
</div>]]></content:encoded>
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		<item>
		<title>Using Audio Files To Provide Feedback &#8211; 1</title>
		<link>http://seanbanville.com/2010/01/04/using-audio-files-to-provide-feedback-1/</link>
		<comments>http://seanbanville.com/2010/01/04/using-audio-files-to-provide-feedback-1/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 03:06:43 +0000</pubDate>
		<dc:creator>Sean</dc:creator>
				<category><![CDATA[Audio Files]]></category>
		<category><![CDATA[Audacity]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[mp3]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://seanbanville.com/?p=59</guid>
		<description><![CDATA[Feedback on Writing
I provide feedback to my students using mp3 files. I record them using the free audio editor and recorder Audacity (you can download versions for Windows, Mac and Linux/Unix).
I have found providing recorded oral feedback via an mp3 file to be a very useful addition to my feedback arsenal. I needed a little [...]]]></description>
			<content:encoded><![CDATA[<div class='embaArticle' style='display:inline'><p><strong>Feedback on Writing</strong></p>
<p>I provide feedback to my students using mp3 files. I record them using the free audio editor and recorder <a href="http://audacity.sourceforge.net/">Audacity</a> (you can download versions for Windows, Mac and Linux/Unix).</p>
<p>I have found providing recorded oral feedback via an mp3 file to be a very useful addition to my feedback arsenal. I needed a little time to get into the swing of things but once I did, I loved it (and so too did my students). It’s very easy. I just record the feedback, save as mp3 and then e-mail it to the students.</p>
<p>I would suggest reducing the file size to 32 kpbs (if you can) so files don’t clog up e-mail InBoxes.</p>
<p><strong>Example</strong></p>
<p>Here’s an example text. I write numbers on the text where students need to focus their attention. When I record the feedback, I ask the students to look at number one, and then provide the feedback, and then do the same for #2, etc.</p>
<p><a href="http://seanbanville.com/wp-content/uploads/2010/01/writing.jpg"><img class="alignleft size-medium wp-image-60" title="writing" src="http://seanbanville.com/wp-content/uploads/2010/01/writing-300x214.jpg" alt="audio feedback on writing" width="296" height="211" /></a></p>
<p>Teachers have asked me if it’s quicker than providing written feedback. In my experience, it takes a little longer if the text is short but saves time if the text is longer. Using audio files also saves time if you want to provide more extensive and comprehensive feedback.</p>
<p>Here are some of the things I initially had to get used to:</p>
<ul>
<li>Finding what to say and how to say it to be of maximum benefit to      students.</li>
<li>Starting a new sentence again if I made a mistake (in Audacity you      just select the mistake and delete it, as you would do with a piece of      text in Word).</li>
<li>Cutting down on umms and ahhs.</li>
<li>Creating an easy to recognize naming system when saving the mp3      files. I used the class name + student initials + writing task name (e.g.      DF2-05_AM_cities.mp3).</li>
<li>Finding the time and a quiet area to get into the habit of      recording feedback.</li>
<li>Some people might say they don’t like the sound of their own voice,      but this disappears after a while.</li>
</ul>
<p>Here are the reasons why I like and recommend using sound files for feedback:</p>
<ul>
<li>Students like them<br />
They really pay more attention to what’s on a sound file than what I write      on paper. They also seem to get ‘excited’ at receiving one in their mail.</li>
<li>It makes a change from red ink<br />
Whatever colour ink you use for correction, it’s usually messy business.      Some students might need a microscope to read your notes. I know my      corrections can sometimes look more like a maze of insertion marks and      words.</li>
<li>It practices listening<br />
Listening to the corrections is a valid and authentic listening task.      Students are usually quite motivated to listen and will press play several      times to make sure they got it all.</li>
<li>It’s an activity in itself<br />
This is a sneaky one – The audio provides students with a whole new      activity of listening for specific information and re-engaging and      correcting their text. Great for recycling language and getting students      to think.</li>
<li>It makes the students rewrite the draft<br />
Always a good thing. In my experience, they are more engaged in the      rewriting process with audio correction than with my scrawled notes.</li>
<li>It gets students used to metalanguage<br />
The audio files are a good opportunity to reinforce grammar terms they      might not be so familiar with. This is particularly useful for lower      levels. Audio files give students more processing time to work out exactly      what those big, confusing words are the teacher keeps saying in class      (like present progressive, apostrophe, adjective…).</li>
<li>It is quicker than writing if there’s a lot you want to say</li>
<li>It’s useful with tiny handwriting on A8 paper<br />
No matter how hard I try to convince my students of the virtues of A4, I      still get essays on Post-It-note-sized paper. You need an ultra thin pen      and a microscope to notate these. Using numbers and audio makes this      process cleaner and easier.</li>
<li>It forces me to think more carefully about grading my speech and      saying what I need to say as succinctly as possible.</li>
</ul>
<p>So, I thoroughly recommend using audio to provide feedback. However, if you <strong>really</strong> want to push the boat out – use audio and visual. This is one of my New Year resolutions. Russell Stannard has excellent tutorials on how to use screencasts in providing feedback on writing:</p>
<p><a href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;storycode=207117">http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;storycode=207117</a></p>
<p>and<br />
<a href="http://www.hltmag.co.uk/dec08/mart04.htm">http://www.hltmag.co.uk/dec08/mart04.htm</a></p>
<p>Or check out Vance Stevens’ list of screencast software:<br />
<a href="http://vancestevens.com/casting.htm#screencasting">http://vancestevens.com/casting.htm#screencasting</a></p>
</div>]]></content:encoded>
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